Needless to say, i completely adore Jhumpa Lahiri’s work. I love her style of writing and her characterization. An advantage of having an enterprising husband and a promise to review her latest book – The Lowland, landed me with a free copy of her just released book. It was an engrossing journey and what follows is my take on The Lowland.
Similar to her previous work, Lahiri’s story starts from the shores of Kolkata, India and travels to the United States. But the backdrop of the story is set in the 60’s and 70’s, highlighting the Naxalite Movement.
The story is about two brothers, Subhash and Udayan, their similarities, differences and the bond between them. It traces the journey from their shared childhood to adulthood. The different paths forged by them later in their lives, the path, which entwines at some point and then forms a new dimension in the story, through Gauri and Bela
The storyline is not uncommon. The Lowland takes the reader through the by lanes of Tollygunge, where Subhash and Udayan grows up. Just 15 months apart in age they are but two sides of the same coin, one dominating and wild the other accommodating and gentle. Both good students, Subhash ventures out to further his career in Rhode Island while wild Udayan plunges himself deep into the naxalite movement. Their paths meet with Gauri forming a fulcrum between them. What is perhaps the most gripping feature of this novel is the style of narration. In a single word, the story is extremely intense. It leaves the reader gasping for breath as the author describes the emotions of Gauri struggling with motherhood, an unhappy marriage and the grief of losing her love. However the highlight is how fantastically the author sketches Gauri’s lack of love towards her daughter, Bela and makes that feeling not at all absurd.
Lahiri sketches the emotions of each of her character immaculately, at times they are so minutely observed that one tends to share some common solidarity with them. The reader can easily envision some shared attributes or emotions, whether its Gauri’s inner turbulence, Subhash’s need for love or Bela’s desperate feeling of being rootless.
Lahiri’s signature style of total precision makes all the characters relatable and identifiable in real life.
All the characters have strong elements of sadness in them. At times the mental agony is too much, in that aspect the storyline is tragic, mostly. However the conclusion brings peace and acceptance, which helps the reader to unwind from the turbulent journey Lahiri takes us through.
The Naxalbari movement is crucial not for the ideals it propounded but for the twist in the tale which carries the story forward and allows the characters to develop. It allows Udayan to venture on a path and gives the title its due importance.
Lahiri’s measured descriptions and settings gives the reader glimpses of Calcutta, as it was known before and Rhode Island. Her attention to detail is so astonishing that one can actually visualize the story unfolding in front of their eyes. Whether it is visiting Tolly club in Kolkata or taking to the beach in Rhode Island. The lowland in Tollygunge, from which the story derives its title, is so meticulously described that one can feel surreal about it.
Lahiri is definitely numero uno when it comes to portrayal of her characters and bringing forth all shades of emotions. The reader is provided with a complete understanding of all the flaws and frailties of human nature. Her level of detailing and precision is completely unmatched. Her capability to turn an ordinary story into an extraordinary one is superb. So if one is looking for an extremely good read then this is definitely the book of this season. It is an unforgettable journey into the human mind.
This review got published in Storizen Magazine – September Issue. Click on the picture to enlarge it.